A much lighter novella, and concise prequel to "The Good Daughter". A great little legal yarn, with some decent character development and a well developed plot twist. 3.5/5
A historical fiction murder mystery set in 19th-century Paris in the famous Salpêtrière asylum. The story centers around two women, Laure and Josephine. Laure is a former patient at the asylum and current ward attendant, who is desperate to leave and find her missing sister, Amélie. Josephine is a young woman with amnesia who arrives at the asylum covered in blood and suffering from trauma. As the novel progresses, Laure and Josephine form a bond while navigating the questionable treatments within the asylum and attempting to find ways out of their respective dilemmas. Very well researched and more gripping than the title infers. Fact and fiction intertwine very believably and seamlessly. 4/5
The Harcourt family, drawn by the allure of a country lifestyle, moves into a secluded Georgian mansion and soon realize that their dream home, apart from being a money pit, harbours a dark secret. As strange occurrences and unsettling visions begin to plague them, the Harcourts must uncover the chilling truth behind Cold Hill's haunted past. Unfortunately I read this first novel after the sequel and effectively rated the sequel higher than it actually deserved. The sequel is somewhat of a carbon copy of this novel but set in a slightly later time period featuring different families with different occupations, but the storyline remains exactly the same. The wiring style is however unique interesting and engaging.
"The Castle", follows a land surveyor named K.life in a small town as he attempts to gain access to a mysterious castle which ostensibly employed him. The castle, a symbol of bureaucracy and authority, seems to be inaccessible despite K.'s persistent efforts. The narrative is filled with Kafka's signature themes of alienation, bureaucracy, and the individual's struggle against an oppressive system. The novel, which Kafka never finished, is known for its open-ended nature, leaving many questions, like the exact nature of the castle, its inhabitants, and K.'s ultimate fate, unanswered. Kafka's ability to bizarre and distopian worlds is unmatched. So too the looming oppressive dred of authority which he interweaves as a constant underlying theme to his novels. 5/5
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